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Out editor in chief Daniel Reynolds and Wayne Brady
Luke Fontana
Out Exclusives

The 2023 Out100 Opens Doors for the LGBTQ+ Community

Out's editor in chief salutes the Artists, Disruptors, Educators, Groundbreakers, Innovators, and Storytellers who have used their platforms to pierce through the darkness this year.

“You’re feeling nervous, aren’t you, boy? With your quiet voice and impeccable style,” Brandi Carlile sang in the opening lines of “The Joke” at the 2019 Grammy Awards. In that moment, I was watching TV at home, in awe of the singer as she strummed onstage in a black jacket sparkling with silver. I felt like she was right there, speaking to me. “Don’t ever let them steal your joy,” Carlile intoned. I knew what that joy was. I knew who “they” were too, those people who “kick dirt in your face” and “hate the way you shine.”

I also knew in that moment that Carlile was an artist of very rare caliber and power. Her sound was timeless, an anthem that could comfort the Other of any era. But my, how those words resonated in that moment. February 2019 marked two years into the Trump administration. The rosy days of It Gets Better and Supreme Court victories felt like a long-ago dream. Instead, hard-won LGBTQ+ rights were being clawed back, replaced by an escalating tide of violence and hatred against queer and trans people. The future felt so uncertain. But there was Carlile, with her ethereal voice, assuring us that she had “been to the movies” and “seen how it ends. And the joke’s on them.”

It is truly our honor to highlight Carlile as the cover star of the Out100, our annual list of LGBTQ+ changemakers. Her star has only grown brighter since 2019. This year alone, the lesbian icon took home two more Grammys for her song “Broken Horses” and appeared on the soundtrack of the summer, Barbie: The Album, where she covered “Closer to Fine” and introduced the Indigo Girls to a new generation. In our cover story, Carlile reflects on her fame, the responsibility she feels in an age of renewed anti-LGBTQ+ vitriol, and the special relationship she has with her fans. From her vantage point on the stage, she routinely witnesses the “congregation” — a gathering of women, LGBTQ+ people, and folks with “gentle ways” across generations. They receive her music’s hope and healing and return the gift with an awesome energy.

The Out100 is also a congregation. Here in this issue, Out’s editors have gathered Artists, Disruptors, Educators, Groundbreakers, Innovators, and Storytellers who, like Carlile, have used their platforms to pierce through the darkness this year. I’ve mentioned this in past letters, but the Out100 has a special place in my heart. As a closeted teen, I dared to peek at this list at my local Barnes & Noble. I marveled at the LGBTQ+ excellence and sheer possibilities of life on display. At the time, I didn’t know if I would even reach adulthood as a gay person. But there it was, printed in these pages: a future.

Across the country, right-wing forces are banning LGBTQ+ books and visibility in schools, libraries, and beyond. They are taking this promise of possibility away from our young people. But we’re not letting that happen without a fight. This year’s Out100 theme is Open Doors, and we’re proud to showcase figures like Wayne Brady, Pulse survivor Brandon J. Wolf, Sasha Colby, Gov. Maura Healey, and Dylan Mulvaney who hold the keys to a brighter future for our community.

After this year, we need all the open doors we can get. I felt that old despair return when O’Shae Sibley was fatally stabbed at a Brooklyn gas station after voguing to Beyoncé. When Lauri Carleton was murdered by a gunman at her California store for hanging a Pride flag. When threats of violence against our community continue to skyrocket — fueled by politicians who are effectively bartering our lives for votes.

But in the face of evil and tragedy, this was also a year of triumph and possibility. The Out100 is an opportunity to reflect on figures who are at the heart of groundbreaking cultural moments moving our community forward: Kim Petras’s historic win at the Grammys; Murray Bartlett’s beautiful gay love story on HBO’s most-watched show, The Last of Us; Robin Roberts, America’s most beloved anchor, marrying her longtime partner, Amber Laign; Colman Domingo’s electrifying performance as Bayard Rustin in a long-overdue biopic of the Black gay civil rights icon; Brittney Griner’s liberation from Russian imprisonment and triumphant return to the WNBA.

Make no mistake, we are in a fight for our lives. But the Out100 reminds us that happy endings — that happiness itself — are within our grasp. We hope that the folks in these pages inspire you to keep voguing, keep waving a rainbow banner, and keep being out in the face of adversity. Carlile was right. We’ve seen the ending of this movie before. And the joke, indeed, is on those who dare try to steal our joy.

Sincerely,

Daniel Reynolds
Editor in chief, Out magazine
@dnlreynolds

Daniel Reynolds

Daniel Reynolds is the editor-in-chief of Out and an award-winning journalist who focuses on the intersection between entertainment and politics. This Jersey boy has now lived in Los Angeles for more than a decade.

Daniel Reynolds is the editor-in-chief of Out and an award-winning journalist who focuses on the intersection between entertainment and politics. This Jersey boy has now lived in Los Angeles for more than a decade.

See All 2024's Most Impactful and Influential LGBTQ+ People
Artists
Disruptors
Educators
Groundbreakers
Innovators
Storytellers
Toni Sorvent
The great trans 'hope' of Karla Sofía Gascón's Oscar campaign
Toni Sorvent

Mey Rude

Mey Rude is a journalist and cultural critic who has been covering queer news for a decade. The transgender, Latina lesbian lives in Los Angeles with her fiancée.

Mey Rude is a journalist and cultural critic who has been covering queer news for a decade. The transgender, Latina lesbian lives in Los Angeles with her fiancée.

Out Exclusives

The great trans 'hope' of Karla Sofía Gascón's Oscar campaign

The transgender star of Netflix’s Emilia Pérez, Karla Sofía Gascón, is poised to make LGBTQ+ history on Hollywood’s biggest night. She shares why that visibility matters.

To go where no out transgender actor has gone before, Karla Sofía Gascón has crafted a trans character unlike any the world has ever seen.

In the Oscar-favorite film Emilia Pérez written and directed by Jacques Audiard, Gascón stars opposite equally brilliant Zoe Saldaña and Selena Gomez. Gascón plays the titular Emilia, a Mexican cartel head who transitions to live the life she’s always wanted. Emilia is both the hero and villain of her own story: a lesbian, a CEO, a leader, a lover, a singer, and many other things trans characters rarely get to be on-screen.

Emilia Pérez was a major presence at this year's Golden Globes, garnering 10 nominations — the most ever for a comedy or musical film — and winning gold for Best Comedy or Musical, Best Supporting Actress (Zoe Saldaña), Best Song (“El Mal”) and Best Non-English-language Film. Gascón earned a nomination for Best Performance by a Female Actor in a Musical or Comedy and delivered a moving speech about the importance of trans visibility after the film won Best Comedy or Musical. If the awards season momentum continues, she will become the first out trans actor nominated for an Academy Award.

Karla Sofia Gascon in Emilia PerezEmilia Pérez (Karla Sofía Gascon) comforts love interest Epifanía (Adriana Paz). Netflix

The acclaim for Emilia Pérez is culturally and politically significant, as the film and Gascón’s role challenge ideas of what trans representation can and should be. In the musical-crime comedy, Emilia is a criminal, she’s violent, she hides her identity from her wife, and she lives a tragic life. But she’s also fearful, strong, loving, loved, curious, hopeful, loyal, and brilliant. Defying the law and social norms, Emilia refuses to be defined by others, exactly as her portrayer intended.

“I give all my truth and all my soul. Each person is different; each trans experience is different. Humans are not robots; we don’t behave the same way, nor do we perceive things the same. We have the same emotions but within different ranges. Humans are complex, and it makes me very upset when they try to reduce us to a group or a single idea,” Gascón says.

“We are used to seeing these kinds of characters portrayed as simple stereotypes — boxed into prostitution or cabaret, exaggerated comedies, or tragic dramas,” she continues. “Well, no, my dear. Trans people, gays, lesbians, and bisexuals exist everywhere: in sports, science, economics, politics, Christmas, and summer — even in the world of drug trafficking. The problem is that certain institutions find it hard to acknowledge this truth.”

While some critics have argued that the film falls into negative tropes about trans women being violent or deceptive, for Gascón, some of those same complexities are what made the role so powerful. Instead of letting Emilia’s flaws flatten the character into a harmful stereotype, Gascón, under the direction of Audiard, created a three-dimensional and layered human being.

“I think Emilia adapted a bit to me, and I to her. As an actress, I can’t judge my characters; I have to understand them,” she says. “What kind of actress would I be if I portrayed my characters from the outside, questioning their decisions instead of understanding their struggles? Emilia is a very, very complex character who comes from the deepest darkness.... That’s what I gave her: the thickest darkness so that the light could shine brighter.”

Despite the online controversy, Gascón has heard from many trans people who watched and loved the film, expressing that they’re thankful she’s expanding how movie audiences see trans women. “The only comments I’ve received about this are expressions of gratitude for how, for the first time, a trans character is approached in a way never seen before, placing the community in a global context,” she says. “It conveys the understanding that this is not something limited to certain spaces but a social reality we cannot ignore.”

At the 2024 Out100 event, Gascón spoke onstage as an honoree. She shared that a mother had recently approached her to say that the film and Gascón’s press tour are making her trans daughter feel less alone, helping her realize “that there is a place for us in this world.” In a political era when trans rights — and youth, in particular — are under attack, this visibility is vital.

“Every day I remember why I should not let myself sink by criticism or hatred, because there are many people who need us in this world, because we are the owners of our bodies and we do not hurt anyone by loving or feeling,” she said. “Our identity is the only thing we have, and no matter how hard they try, they will never be able to take it away from us — because it is ours.”

While Gascón may become the first actress to break the transgender glass ceiling at the Oscars, she knows the world is overflowing with talented trans creatives who can’t wait to stride the same path she’s walking now.

“All actors and actresses, regardless of their gender, sexual orientation, or skin color, deserve to be recognized for putting their soul into a life written on paper,” she says. “There are many trans actors and actresses who spend their lives acting in small theaters telling big stories. Maybe in a few years, it will be normal to see them collecting awards without anyone being surprised. Four years ago, I was doing the same thing, giving performances in a small theater for very few spectators. That is the hope I want to leave to all my fellow actors.”

This article is part of the Out January/February issue, which hits newsstands February 4. Support queer media and subscribe— or download the issue through Apple News, Zinio, Nook, or PressReader starting January 23.

See All 2024's Most Impactful and Influential LGBTQ+ People
Artists
Disruptors
Educators
Groundbreakers
Innovators
Storytellers