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Johnnie Ingram & Stephen Warren
Bill Ardinger
Disruptors

Johnnie Ingram & Stephen Warren

Meet some of the artists, disruptors, educators, groundbreakers, innovators, and storytellers who all helped make the world a better place for LGBTQ+ people.

It can be hard creating content that finds that sweet spot of being both socially important and extremely entertaining, but the Emmy-nominated, GLAAD Award-winning creative duo of Johnnie Ingram and Stephen Warren know exactly how to hit it. The proof? Their two beloved, unscripted Max shows: We’re Here and Swiping America.

Considering the anti-LGBTQ+ climate sweeping the nation, We’re Here’s mission statement of using popular Drag Race queens to help spread messages of love and acceptance to small communities in middle America is incredibly timely. On the flip side, their “rom-doc” Swiping America — with its four-person cast that is half-queer and three-fourths people of color — shows the world that LGBTQ+ folks are worthy and deserving of romantic love, especially in times like these. (Ingram and Warren are husbands as well.)

“We hope to continue telling LGBTQ+ stories that matter and are currently developing more queer-inclusive unscripted TV shows and documentaries,” say Ingram and Warren, who are preparing to release a fourth season of We’re Here.

We’re Here has become a very challenging show to make in the current anti-LGBTQ+ political climate. In order to document the proliferation of hateful legislation and violence directed at our community, rather than moving from town to town each episode, we modified the format for our fourth season to focus on just two locations for the entire season. We can confidently say this season will be our best yet.” @johnnieinstagram @thestevewarren

Raffy Ermac

Raffy is a Los Angeles-based writer, editor, video creator, and critic.

Raffy is a Los Angeles-based writer, editor, video creator, and critic.

​Duncan Crabtree-Ireland
Photo by Luke Fontana

Daniel Reynolds

Daniel Reynolds is the editor-in-chief of Out and an award-winning journalist who focuses on the intersection between entertainment and politics. This Jersey boy has now lived in Los Angeles for more than a decade.

Daniel Reynolds is the editor-in-chief of Out and an award-winning journalist who focuses on the intersection between entertainment and politics. This Jersey boy has now lived in Los Angeles for more than a decade.

Disruptors

Duncan Crabtree-Ireland

Meet one of the artists, disruptors, educators, groundbreakers, innovators, and storytellers who all helped make the world a better place for LGBTQ+ people.

Photo by Luke Fontana

Duncan Crabtree-Ireland — the national executive director and chief negotiator for SAG-AFTRA — oversees the world’s largest entertainment union, which boasts over 160,000 members. And along with SAG-AFTRA President Fran Drescher, he’s one of the faces of their strike over a labor dispute with the Alliance of Motion Picture and Television Producers.

As one of the few out leaders of a major entertainment group, Crabtree-Ireland knows that the fight for labor and LGBTQ+ equality go hand in hand. “One of the things that we’re fighting for is basic equity, inclusion, and fairness in the industry,” he says. “And I’m proud to say that SAG-AFTRA has been at the forefront of making sure that the entire American scene is represented on film, television, and streaming — and that’s a fight that we’re in for the long run.”

And there is a lesson to be learned from the strike to advance change, which is the power of solidarity. “When we stand together and when we fight together, that’s how we win,” he says. “Division always weakens us. Unity strengthens us.”

The outcome of Crabtree-Ireland’s advocacy through the SAG-AFTRA strike will determine the future of how actors and other entertainment professionals are treated in show business, as technological advances like streaming services and AI impact their careers and livelihoods. But the country’s largest strike in 26 years has also helped fuel a revolution for workers in hospitality, the automotive industry, and beyond.

This revolution shows the power of a compelling narrative. In fact, one of his biggest challenges during the strike was the task of clearly communicating SAG-AFTRA’s message “with the rest of the community, the industry, and the world so that everyone understood why we’re in the fight that we’re in, and how it was going to change everything for the better.” Clearly, the message has gotten through.

This year, Crabtree-Ireland is proud “to fight against the biggest companies in the world and say we demand to be treated with respect and fairness.” @duncanci