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Meet one of the artists, disruptors, educators, groundbreakers, innovators, and storytellers who all helped make the world a better place for LGBTQ+ people.
In addition to being Troye Sivan’s longtime collaborator, the singer and songwriter Leland has worked with artists like Selena Gomez, Ava Max, Ariana Grande, BTS, Charli XCX, and Sabrina Carpenter. He’s also taken his songwriting skills to the RuPaul’s Drag Race franchise, having worked on iconic tracks with the queens such as “Break Up (Bye Bye),” “UK Hun?,” “I’m That Bitch,” and all of the critically acclaimed songs from of “Wigloose: The Rusical!” featured in season 15. The musical episode showed a clash between a conservative town and its drag performers — a storyline resonant with the real world.
“Performing ‘Built on Drag’ on the RuPaul’s Drag Race finale with Orville Peck and the cast of season 15 felt very special,” he says. “The songs and script for ‘Wigloose’ were written in 2022, so when this year’s push of anti-drag legislation occurred, it felt like the Rusical took on a deeper, more important meaning than how we had initially anticipated.”
2023 also included the release of Sivan’s third studio album, Something to Give Each Other, which he and Leland worked on for two and a half years. Moreover, Leland wrote original songs for Cher’s latest holiday-themed album, Christmas. During the past year, Leland has also been building a studio compound in Laurel Canyon called Laurelvale Studios, which is on track to open in January.
“I wanted to create a setting for artists, writers, and producers that channels inspiration through nature and provides a space that feels light, cozy, and private.”
Between songwriting, building studios, and being an artist himself, Leland also found time to release his latest single – “Bad at Letting Go,” featuring Muna – this year.
“The work I do is like running the gayest bed-and-breakfast – everyone’s welcome, but the clientele is mostly pop stars and drag queens,” he says. “Sometimes they stay for a night. Sometimes they stay for a few weeks. Others swing by seasonally, and some haven’t left. Regardless of how long they stay, they can expect kisses from my dog Crosby, overflowing Coke Zero, and a fun writing session where they leave with a song that they’re proud of and hopefully want to come back.” @leland
Bernardo Sim is the deputy editor of Out, as well as a writer and content creator. Born in Brazil, he currently lives in South Florida. You can follow him on Instagram at @bernardosim.
Bernardo Sim is the deputy editor of Out, as well as a writer and content creator. Born in Brazil, he currently lives in South Florida. You can follow him on Instagram at @bernardosim.
Daniel Reynolds is the editor-in-chief of Out and an award-winning journalist who focuses on the intersection between entertainment and politics. This Jersey boy has now lived in Los Angeles for more than a decade.
Daniel Reynolds is the editor-in-chief of Out and an award-winning journalist who focuses on the intersection between entertainment and politics. This Jersey boy has now lived in Los Angeles for more than a decade.
Meet one of the artists, disruptors, educators, groundbreakers, innovators, and storytellers who all helped make the world a better place for LGBTQ+ people.
Duncan Crabtree-Ireland — the national executive director and chief negotiator for SAG-AFTRA — oversees the world’s largest entertainment union, which boasts over 160,000 members. And along with SAG-AFTRA President Fran Drescher, he’s one of the faces of their strike over a labor dispute with the Alliance of Motion Picture and Television Producers.
As one of the few out leaders of a major entertainment group, Crabtree-Ireland knows that the fight for labor and LGBTQ+ equality go hand in hand. “One of the things that we’re fighting for is basic equity, inclusion, and fairness in the industry,” he says. “And I’m proud to say that SAG-AFTRA has been at the forefront of making sure that the entire American scene is represented on film, television, and streaming — and that’s a fight that we’re in for the long run.”
And there is a lesson to be learned from the strike to advance change, which is the power of solidarity. “When we stand together and when we fight together, that’s how we win,” he says. “Division always weakens us. Unity strengthens us.”
The outcome of Crabtree-Ireland’s advocacy through the SAG-AFTRA strike will determine the future of how actors and other entertainment professionals are treated in show business, as technological advances like streaming services and AI impact their careers and livelihoods. But the country’s largest strike in 26 years has also helped fuel a revolution for workers in hospitality, the automotive industry, and beyond.
This revolution shows the power of a compelling narrative. In fact, one of his biggest challenges during the strike was the task of clearly communicating SAG-AFTRA’s message “with the rest of the community, the industry, and the world so that everyone understood why we’re in the fight that we’re in, and how it was going to change everything for the better.” Clearly, the message has gotten through.
This year, Crabtree-Ireland is proud “to fight against the biggest companies in the world and say we demand to be treated with respect and fairness.” @duncanci
