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Wilson Cruz
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Wilson Cruz is Going Where No Gay Man Has Gone Before

The Star Trek: Discovery star beautifully weaves his activism inside every aspect of his work. 

Alone in Toronto, Wilson Cruz is fresh off a Zoom call with the cast of his 1990s cult hit My So-Called Life. "They're part of my chosen family," he explains of his costars, which included Claire Danes and Jared Leto. The Gen-X series, and Wilson's character, Rickie, continue to resonate with fans a quarter of a century after he became the first out gay actor to play an out gay leading character on TV in the U.S.

Nearly every day, fans still tell Cruz how much Ricky meant to them. "We knew that the whole point of that role was so that people could see themselves and own how beautiful their lives could be if we just allowed ourselves to be seen -- and if people would allow us to show ourselves as we are," he says, adding that what he took from that role was literally his character's arc.

"I'm enough just as I am. I spent so much time, if you want to get honest, trying to make up for what I thought was broken as a teenager, to please people and make up for the shame that I was carrying around about being a gay boy."

Now, Cruz has brought Ricky's lesson -- and the self-confidence the veteran actor personally gained over the years appearing on dozens of TV shows (including Noah's Arc) and serving a leadership role at GLAAD -- to Dr. Hugh Culber on the queerest Star Trek yet.

In addition to Cruz and his on-screen husband played by Anthony Rapp, there's also OA star Ian Alexander as a trans alien and Blue Del Barrio playing a non-binary human joining the cast. ("They're straight out of college," he says of Barrio. "They are amazing.") Tig Notaro's character is lesbian, Michelle Yeoh's character is pansexual, and lesbian writer and producer Michelle Paradise joined as this year's showrunner and head writer.

Fifty years after Gene Roddenberry first wanted to have a gay character (but had already risked cancellation with an interracial kiss), his full vision of humanity is finally on screen. All that queerness leads to shorthand on set for the queer actor and a truly transformative series for fans.

The Black, gay, Latinx activist can't help but compare the Star Trek: Discovery universe, 1,000 years in the future, with America today. "I have to tell you -- and it's going to sound corny -- it's about how Star Trek makes me look at the world. Because in order for any of us to play these roles as people of color on this show, we have to imagine who we would be and what our lives would be if we were allowed to live up to our potential because we aren't dealing with all of the 'isms' that are obstacles in our lives. So Dr. Culber didn't deal with racism. He didn't deal with homophobia. He got to be everything he could possibly be. And he was allowed to do that with no blockages in education or opportunities. And when you spend nine months out of the year trying to imagine that world."

Wilson Cruz

After spending all day in that world, Cruz says, "You leave work wanting to figure out ways to make our world a bit closer to that one. Because you know it's possible."

In fact, 2020 has been an education for Cruz. He was involved in the social justice protests around Black Lives Matter and also took it upon himself to be better able to speak to the issues by reading and listening.

"Reading Caste literally changed my perspective in terms of how I look at how we're governing and living our lives right now," he insists of the Isabel Wilkerson tome. "And so I read something like Caste and it breaks my heart to know that we've built an entire society out of the fallacy that some people are worth less than others. The most powerful part of that book for me was, I mean, all of it was powerful, but the weird thing that stuck with me the most was when she speaks about how caste forces us to miscast everyone...so people who feel like they should be the president of the United States because of their racial makeup and their family lineage and class when really they shouldn't be right. That's not what their personality is suited strongly for. Whereas someone who should be is a person of color and doesn't have the same opportunities and is relegated to menial work because that's what they have been assigned to because of their caste. When in reality that person could be the person who invents or discovers the cure for cancer. But we never gave them the ability to do that."

The saddest part, he says he realizes now, "is that we've done this to ourselves. Nobody did this to us. We chose to dismiss the humanity of other members of our own species. We've chosen to do that. And we have to find a way to un-choose that."

The challenge for Cruz on the third season of Discovery "has been to imagine what it would be like to have literally a second lease on life. When you're given a second chance, I think, you say, what wasn't working before? How can I live and create the kind of life that I always wanted now that I've been given a chance to do it?"

For Dr. Culber, that involves stepping into a leadership role and caring for the crew, especially in moments of crisis. It's a blend of strength and empathy that Cruz wishes we saw more of in the Trump administration. "We need to be able to be strong because we have to be resilient... [but] the only way that we're resilient is if we're vulnerable as well."

After the second presidential debate, Cruz tweeted that Trump was "a white supremacist who has no empathy for over 200,000 dead or the children he's locked up. 500 whose parents are lost forever."

Wilson Cruz

The reality of that still chokes him up. "There are 500 kids at the border right now who will never see their parents again." He pauses to let that sink in. "Someone said yesterday, 'I'm not a parent, but I've taken care of my nieces and nephews. If I have lost one of them for 10 minutes, for 10 minutes, I would be uncontrollable, inconsolable.' What world are we living in where we allow 500 children to go without their families? In the name of what?"

Who doesn't understand that? "Someone who is incapable of seeing the humanity in those people. Because if they did, if they could, they would do something about it. They would have never allowed that to happen. They would have recognized that the reason why these people are so desperate to come here... and escape whatever heinous situation they're leaving behind. This country, since its beginning has only been made stronger by people who have come here to create a better life for themselves. That's all they want. All they want to do is come here and contribute so that they can receive in return a life where they can just be safe."

Cruz is hopeful that the past four years, and those children's trauma, haven't been in vain. "I hope that...we better understand how connected we are and how much we need each other. That we spent so much time and so much wasted energy on the ways that we're different and divided. That we could have used that energy to find common ground and get to work on these issues that have kept us apart for the entire history of our country."

He hopes his legacy will also be part of that healing, one in which he used "whatever talent and ability I had to tell the story of my community so that people would see us for the life-affirming, love-expanding community that we are, as opposed to the decades of misinformation and lies that were told about us."

Cruz also hopes that in 2021, we can "better understand how connected we are and how much we need each other. That we spent so much time and so much wasted energy on the ways that we're different and divided. That we could have used that energy to find common ground and get to work on these issues that have kept us apart for the entire history of our country. That maybe we can start really valuing every single life. That we all matter, yes. But there are some of us who have mattered less up until now. And that our work as a people and a country is to understand and truly, truly commit ourselves to the fact that every single one of us matters. Black lives matter. Black trans lives matter. People of color matter. And it's the only way we're going to be able to move forward."

Of his own legacy as an actor and an activist, it's that, "I used whatever talent and ability I had to tell the story of my community so that people would see us for the life-affirming, love-expanding community that we are, as opposed to the decades of misinformation and lies that were told about us. And that I use [television] to invite people in so they would actually know us. And if they know us, they'll understand us. And if they can understand, they'll accept us and celebrate us. And all any of us want."

Wilson Cruz

Wilson Cruz is one of four cover stories for 2020's Out100 issue, which is comprised of 100 of the most influential LGBTQ+ names in music, fashion, culture, advocacy, and more. Janelle Monae, Joe Mantello, and Janaya Khan appear on the other covers. The full list will be released Thursday, November 19, 2020 and the issue is out on newsstands on December 1, 2020. The first-ever Out100 Symposium, titled "How Do We Come Back From This" will stream on Out Friday and is set to be hosted by Janaya Khan. The first-ever Out100 Virtual Honoree Induction Ceremony will be Saturday, November 21, 2020 at 8 p.m. EST. You can watch live on the Out100 Live landing page.

Photography by The Riker Brothers | Grooming by Kimberly Bragalone

Diane Anderson-Minshall

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Ryan Pfluger
9 Breathtaking Portraits of Interracial LGBTQ+ Lovers by Ryan Pfluger
Ryan Pfluger

Daniel Reynolds

Daniel Reynolds is the editor-in-chief of Out and an award-winning journalist who focuses on the intersection between entertainment and politics. This Jersey boy has now lived in Los Angeles for more than a decade.

Daniel Reynolds is the editor-in-chief of Out and an award-winning journalist who focuses on the intersection between entertainment and politics. This Jersey boy has now lived in Los Angeles for more than a decade.

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9 Breathtaking Portraits of Interracial LGBTQ+ Lovers by Ryan Pfluger

In their new book of LGBTQ+ couple’s portraiture Holding Space, Ryan Pfluger lets love guide the lens.


Ryan Pfluger

“I exist at the intersection of marginalization and privilege. I am queer — I am nonbinary — but I’m also white. Grappling with how to handle that as an artist — for my work to investigate a nuanced and complicated space — has been a long journey,” begins photographer Ryan Pfluger (he/they) in his introduction to Holding Space: Life and Love Through a Queer Lens, a revelatory new book of portraiture centering interracial LGBTQ+ couples.

In Holding Space, the meaning of the introduction is layered. The reader learns of the intent of Pfluger’s project — to explore intersectionality through photography of these subjects. But it’s also an introduction to Pfluger, who reveals that his career choice was influenced by an upbringing where he felt powerless. “My father a drug addict, mother an alcoholic. I was outed by my mother at 13 — an age when I didn’t even know what that meant for me. Control became an abstract concept that I was never privy to,” Pfluger shares.

“The driving force to be behind the lens though, was my instinctual desire for people to feel seen, thoughtfully and lovingly,” they add. “From my own experiences and of those I love, I know how damaging being seen through the eyes of judgment, racism, sexism, transphobia, homophobia, and so on can be.”

Gaining control — guiding the lens and the narrative — was an early driving force behind his work. (A renowned celebrity photographer, Pfluger will be known to Out readers for their 2015 Out100 portraits, which included Barack Obama and Caitlyn Jenner.) As photography became “less of a craft and more a part of my being,” however, “I discovered my gift to create art also held space for others—that relinquishing the control I had so desperately craved can be more powerful than possessing it,” Pfluger says. “Photography became a vessel of healing.”

To heal, hold space, and explore intersectionality in a way not seen before through their medium, Pfluger set out to photograph interracial LGBTQ+ couples within their social circle. This time, he did indeed relinquish control and let his subjects tell their story. They could choose the setting and their style of dress or undress. The only requirement was that they touch one another in some fashion.

By the project’s conclusion — “two cross-country trips, over a thousand rolls of film, and sixteen months later” — Pfluger had documented over 120 couples, many of whom were recruited through social media and the internet. Some had broken up over that time period and pulled out of the project. Others wanted to share their heartache. Their stories, in first person, accompany their portraits, which launch Holding Space from the genre of photography book to a work of nonfiction, a chronicle of queer love in the 21st century.

“That is the beauty of relinquishing control,” Pfluger concludes. “Allowing the space for things to evolve and change — for marginalized people to have control over their narratives regardless of my intentions. To listen and learn. That is why Holding Space exists.”

Over 70 portraits and accompanying essays are featured in Holding Space, published by Princeton Architectural Press. The book also boasts excerpts from luminaries like Elliot Page, Bowen Yang, Ryan O’Connell, and Jamie Lee Curtis, and a foreword by director Janicza Bravo. Find a copy at PAPress.com, and see a selection of photography below.

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Akeem (he/him) & Samuel (he/him)

Ryan Pfluger

“Despite our different desires, truths, and fears, there was a unique familiarity that made space for us to better understand each other.” — Akeem

“We challenged the system when we decided to be together, and we’re challenging it again by staying in each other’s lives and preserving the bridges we’ve built." — Samuel

Liz (she/her) & Carlena (she/her)

Ryan Pfluger

“Each and every day I am humbled by the intersectionality of our love. By the way our individual ethnicities, races, upbringings, and queer identities guide us toward an even deeper understanding of self and other.” — Carlena

“My hope is that by continuing to love one another openly and fearlessly, future generations will be inspired to also love without any bounds.” — Liz

Chris (he/him) & Joe (he/him)

Ryan Pfluger

“We are proud to be one of the few queer interracial couples within our immediate or extended family/friend circles, which has encouraged us to speak to our experiences and help others learn alongside us.” — Joe

Jobel (he/him) & Joey (he/they)

Ryan Pfluger

“The beauty that we are coming to experience in owning our sexuality is that we can define what it means for us and how we want to experience it.” — Jobel

Luke (he/him) & Brandon (he/him)

“Our differences are a plenty, but this love does not bend.” — Luke & Brandon

David (he/him) & Michael (he/him)

Ryan Pfluger

“We started our relationship at the height of the pandemic, and it was amazing to be able to run to Michael and feel safe in his arms.” — David

Milo (he/him) & Legacy (he/they)

Ryan Pflguer

“Queer relationships aren’t tied to the limited, binary expectations that typically define heterosexual relationships.” — Milo

“Creating more healthy space in our friendship has been peaceful for us. I feel we are embracing a new form of love.” — Legacy

Coyote (he/they) & Tee (she/they)

Ryan Pflguer

“Loving you feels instinctual, like a habit I was born with. It feels like I was born to love you.” — Tee

“I can feel you loving something deeper than the surface of me and it makes me feel so alive.” — Coyote

Jo (they/them) & Zac (they/them)

Ryan Pfluger

“What can I say other than it is incredibly life-affirming when Jo and I are able to achieve the level of coordination needed to experience the sensation of ‘them,’ and that it helps when I say, ‘I love them’ or ‘I trust them.’” — Zac

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