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West Dakota by Lia Clay for Willie Norris
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How West Dakota's Idea Became the Largest Trans March in History

The Out100 honoree had the initial spark of inspiration that became the Brooklyn Liberation march.

When West Dakota, a prominent Brooklyn-based drag performer and activist, first had the idea to organize a march to draw attention to the disproportionate rates of violence against Black trans women, they had no idea it would become the biggest demonstration ever of its kind. The Brooklyn Liberation March, as it has now become known, drew an estimated 15,000+ participants who all dressed in white and marched through the streets of the borough in June. There, the assembled sought to add the names of Black trans folks who had been killed to the ongoing cries of "say their names." And in the end, the event was deemed by some to be a return to the origins of Pride festivals, in a year where many Pride events were canceled as a result of the ongoing pandemic.

The idea was first conceived while Dakota was checking in on their friend, mentor, and fellow drag artist Merrie Cherry. In the wake of the George Floyd protests, the pair had an emotional discussion about how Black trans people are disproportionately victims of police violence -- and the irony that attending demonstrations against police brutality can often put them in further danger. Cherry, who is Black, mentioned she would have felt safer attending some of the silent marches she had seen in other states. In the weeks following the conversation, Dakota worked hard and organized to make a march for Black trans lives a reality. Working with former Out deputy editor Fran Tirado, Ms. Foundation director of communications Raquel Willis, Anti-Violence Project director of communications Eliel Cruz, and more, the Brooklyn Liberation March was born.

Brooklyn Liberation MarchBrooklyn Liberation MarchBrooklyn Liberation MarchBrooklyn Liberation MarchBrooklyn Liberation March

Some 15,000 gathered on the steps of the Brooklyn Museum, mostly in white. The dress code looked back to the NAACP's 1917 Silent Protest Parade where 10,000 marched to protest violence against Black communities. At this 2020 event, Brooklyn-based designer Willie Norris handed out over 600 white t-shirts screen-printed with "Black Trans Lives Matter." The Brooklyn Liberation march ended up being the first of many marches that helped to center Black trans lives, including actions in Los Angeles, as well as a now weekly action at Stonewall organized by Joel Rivera and Qween Jean.

Looking back on the tumultuous year, Dakota tells Out that there still have been some wonderful silver linings weaved throughout 2020 [Editor's note: we spoke to Dakota just before the November elections].

"The slowing down; watching my plants explode with life," they say. "Witnessing the strength and interconnectedness of my community. Mutual aid. Feeling and sitting with the raw emotion of every moment. Escaping escapism. Practicing mindfulness." They have continued to be a part of actions though, attending the Stonewall Protests this week.

On being included in the Out100 list this year, Dakota reflects what it means to be out in 2020.

"Being out to me means being honest with myself, acknowledging and working through the layers of shame and honoring my truth," they say. "Living honestly with myself and sharing that with others means deeper, more fulfilling I love it here."

Looking toward the new year, Dakota says, "My hope is that we abandon the 'take me back' mentality. I hope this shock to our system can push us forward in reimagining what our lives can be.... I'm focusing less and less on the projects, and more on listening and learning. To quote Michaela Coel, "What a brilliant thing it is to grow."

A version of this piece was originally published in this year's Out100 issue, out on newsstands 12/1. The issue has four cover stars: Janelle Monae, Wilson Cruz, Joe Mantello, and Janaya Khan. To get your own copy directly, support queer media and subscribe -- or download yours for Amazon, Kindle, Nook, or Apple News +. The first-ever Out100 Symposium, titled "How Do We Come Back From This" will stream on Out Friday and is set to be hosted by Janaya Khan. The first-ever Out100 Virtual Honoree Induction Ceremony will be Saturday, November 21, 2020 at 8 p.m. EST. You can watch live on the Out100 Live landing page.

Desiree Guerrero

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Ryan Pfluger
9 Breathtaking Portraits of Interracial LGBTQ+ Lovers by Ryan Pfluger
Ryan Pfluger

Daniel Reynolds

Daniel Reynolds is the editor-in-chief of Out and an award-winning journalist who focuses on the intersection between entertainment and politics. This Jersey boy has now lived in Los Angeles for more than a decade.

Daniel Reynolds is the editor-in-chief of Out and an award-winning journalist who focuses on the intersection between entertainment and politics. This Jersey boy has now lived in Los Angeles for more than a decade.

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9 Breathtaking Portraits of Interracial LGBTQ+ Lovers by Ryan Pfluger

In their new book of LGBTQ+ couple’s portraiture Holding Space, Ryan Pfluger lets love guide the lens.


Ryan Pfluger

“I exist at the intersection of marginalization and privilege. I am queer — I am nonbinary — but I’m also white. Grappling with how to handle that as an artist — for my work to investigate a nuanced and complicated space — has been a long journey,” begins photographer Ryan Pfluger (he/they) in his introduction to Holding Space: Life and Love Through a Queer Lens, a revelatory new book of portraiture centering interracial LGBTQ+ couples.

In Holding Space, the meaning of the introduction is layered. The reader learns of the intent of Pfluger’s project — to explore intersectionality through photography of these subjects. But it’s also an introduction to Pfluger, who reveals that his career choice was influenced by an upbringing where he felt powerless. “My father a drug addict, mother an alcoholic. I was outed by my mother at 13 — an age when I didn’t even know what that meant for me. Control became an abstract concept that I was never privy to,” Pfluger shares.

“The driving force to be behind the lens though, was my instinctual desire for people to feel seen, thoughtfully and lovingly,” they add. “From my own experiences and of those I love, I know how damaging being seen through the eyes of judgment, racism, sexism, transphobia, homophobia, and so on can be.”

Gaining control — guiding the lens and the narrative — was an early driving force behind his work. (A renowned celebrity photographer, Pfluger will be known to Out readers for their 2015 Out100 portraits, which included Barack Obama and Caitlyn Jenner.) As photography became “less of a craft and more a part of my being,” however, “I discovered my gift to create art also held space for others—that relinquishing the control I had so desperately craved can be more powerful than possessing it,” Pfluger says. “Photography became a vessel of healing.”

To heal, hold space, and explore intersectionality in a way not seen before through their medium, Pfluger set out to photograph interracial LGBTQ+ couples within their social circle. This time, he did indeed relinquish control and let his subjects tell their story. They could choose the setting and their style of dress or undress. The only requirement was that they touch one another in some fashion.

By the project’s conclusion — “two cross-country trips, over a thousand rolls of film, and sixteen months later” — Pfluger had documented over 120 couples, many of whom were recruited through social media and the internet. Some had broken up over that time period and pulled out of the project. Others wanted to share their heartache. Their stories, in first person, accompany their portraits, which launch Holding Space from the genre of photography book to a work of nonfiction, a chronicle of queer love in the 21st century.

“That is the beauty of relinquishing control,” Pfluger concludes. “Allowing the space for things to evolve and change — for marginalized people to have control over their narratives regardless of my intentions. To listen and learn. That is why Holding Space exists.”

Over 70 portraits and accompanying essays are featured in Holding Space, published by Princeton Architectural Press. The book also boasts excerpts from luminaries like Elliot Page, Bowen Yang, Ryan O’Connell, and Jamie Lee Curtis, and a foreword by director Janicza Bravo. Find a copy at PAPress.com, and see a selection of photography below.

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Akeem (he/him) & Samuel (he/him)

Ryan Pfluger

“Despite our different desires, truths, and fears, there was a unique familiarity that made space for us to better understand each other.” — Akeem

“We challenged the system when we decided to be together, and we’re challenging it again by staying in each other’s lives and preserving the bridges we’ve built." — Samuel

Liz (she/her) & Carlena (she/her)

Ryan Pfluger

“Each and every day I am humbled by the intersectionality of our love. By the way our individual ethnicities, races, upbringings, and queer identities guide us toward an even deeper understanding of self and other.” — Carlena

“My hope is that by continuing to love one another openly and fearlessly, future generations will be inspired to also love without any bounds.” — Liz

Chris (he/him) & Joe (he/him)

Ryan Pfluger

“We are proud to be one of the few queer interracial couples within our immediate or extended family/friend circles, which has encouraged us to speak to our experiences and help others learn alongside us.” — Joe

Jobel (he/him) & Joey (he/they)

Ryan Pfluger

“The beauty that we are coming to experience in owning our sexuality is that we can define what it means for us and how we want to experience it.” — Jobel

Luke (he/him) & Brandon (he/him)

“Our differences are a plenty, but this love does not bend.” — Luke & Brandon

David (he/him) & Michael (he/him)

Ryan Pfluger

“We started our relationship at the height of the pandemic, and it was amazing to be able to run to Michael and feel safe in his arms.” — David

Milo (he/him) & Legacy (he/they)

Ryan Pflguer

“Queer relationships aren’t tied to the limited, binary expectations that typically define heterosexual relationships.” — Milo

“Creating more healthy space in our friendship has been peaceful for us. I feel we are embracing a new form of love.” — Legacy

Coyote (he/they) & Tee (she/they)

Ryan Pflguer

“Loving you feels instinctual, like a habit I was born with. It feels like I was born to love you.” — Tee

“I can feel you loving something deeper than the surface of me and it makes me feel so alive.” — Coyote

Jo (they/them) & Zac (they/them)

Ryan Pfluger

“What can I say other than it is incredibly life-affirming when Jo and I are able to achieve the level of coordination needed to experience the sensation of ‘them,’ and that it helps when I say, ‘I love them’ or ‘I trust them.’” — Zac

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